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Jem Aswad at Variety wrote that "When I Get Home is a challenging and satisfying follow-up to A Seat at the Table, one that will probably baffle some fans but intrigue and engage even more". She added that "there are melodies slow enough to sink you into a state of tranquility, and beats hard and strong enough to push you to sway and dance while that happens". Uncut9/10At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, When I Get Home received an average score of 89, based on 25 reviews, indicating "universal acclaim". IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts.
The original film arrived back in March to accompany Solange’s new album of the same name. On Tuesday, The Criterion Channel announced that the remastered director’s cut of the interdisciplinary performance art film for When I Get Home has been added to its esteemed collection. The award-winning artist is commemorating the 2-year anniversary of her fourth LP with a remastered director's cut of its accompanying art film.
Solange Premiered A ‘When I Get Home’ Film on Apple Music
Music video director Alan Ferguson, filmmaker Terence Nance, visual artist Jacolby Satterwhite, and video director Ray Tintori contributed to the editing process with additional credit given to Autumn Knight and Robert Pruitt, according to Pitchfork. I came to Houston for the first time a year and a half ago when I began a new adventure as Artistic Director of the Houston Cinema Arts Society, right around the time When I Get Home was released. The album quickly became my muse and guiding light, and a celebration of my own Black American womanhood. Because of COVID-19, I haven’t been able to return to Houston, which I have fallen in love with, and so I stay and wait in New York City—my first love, where I was born and raised—and work from with folks in H-Town remotely.
If there’s one thing Solange does steadfastly is take stay true to herself in the spaces she is afforded, whatever that space is. You can grab a lifetime license to the full Microsoft Office suite for only $30, both for Windows or Mac. "Can I Hold the Mic" contains a sample from "BTS Crime Mob Footage" (aka "Diamond and Princess of Crime Mob Uncut!") used courtesy of Diamond and Princess. Video marketing Create and promote branded videos, host live events and webinars, and more. Solutions Video marketing Create and promote branded videos, host live events and webinars, and more. Discover the stars who skyrocketed on IMDb’s STARmeter chart this year, and explore more of the Best of 2022; including top trailers, posters, and photos.
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Solange’s video features locations throughout Texas and foreshadows When I Get Home with its scenes on the stairs and in the lobby of Houston’s Alley Theater. Prior to releasing the director’s cut of When I Get Home on YouTube, Solange shared the extended version of the film at museums and contemporary art institutions around the world. Solange directed and edited When I Get Home, with contributions from Alan Ferguson, Terence Nance, Jacolby Satterwhite and Ray Tintori.
In writing the album, Solange was inspired by the use of repetition in Stevie Wonder's The Secret Life of Plants as well as music by Steve Reich, Alice Coltrane, and Sun Ra. She also noted that the album was more focused on what she had to "feel", compared to A Seat at the Table's focus on what she had to "say". When I Get Home is the fourth studio album by American singer and songwriter Solange, released on March 1, 2019. It is the follow-up to her 2016 album A Seat at the Table and explores Solange's hometown of Houston, Texas. On February 27, 2019, Solange released a teaser video on social media, and shared the album's track listing on February 28.
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Solange Knowles is reflecting on the past two years—specifically, the day she released her fourth studio album, When I Get Home. When I Get Home marked Solange’s fourth full-length album and followed her 2016 LP, A Seat at the Table. The singer recently performed a nine-minute medley of songs from the album on The Tonight Show. Directed and edited by Solange, the creative vision behind the 33-minute film was inspired in part by the devastation of Hurricane Harvey in Houston.
The 19-song track project is the follow-up to her universally lauded 2016 album A Seat At the Table whose lead single “Cranes in the Sky” won the 2017 Grammy for Best R&B Performance. It features a long list of guest artists, including past collaborators like Dev Hynes and Sampha, as well as some more unexpected features like Tyler The Creator, Playboi Carti, and Gucci Mane. As if willed into existence by our collective despair, Solange surprise-released her fourth album, When I Get Home, last night right at the intersection of Black History Month ending and Women’s History Month beginning.
The film installment ofWhen I Get Homebreathes visual life into the vocal release, and finds Solo returning home to Houston’s Third Ward. The Third Ward, an important area for Black history and contemporary Black culture in Houston, is where Solange staged multiple screenings of When I Get Home upon its premiere last year. Locations included Texan Tire and Wheel, the Black-owned Unity National Bank, the Ensemble Theatre, where she stared in The Wiz as a young person; Emancipation Park, without which Juneteenth would be nothing but a vague notion; and Vita Mutari, the hair salon her and her sister Beyoncé’s mother Tina Knowles-Lawson used to own, a kind of ground zero for Black society in Houston.
Solange first introduced When I Get Home with her album of the same name in 2019 as an introspective exploration of what home means. Visually stunning and eclectic, the film features surreal and futuristic imagery while celebrating Black culture and paying homage to her hometown of Houston. Scenes range from Black cowboys riding through the city to glittery spaceship settings to various dance sequences, all set to songs from her celebrated LP like "Down with the Clique," "Almeda," "Stay Flo," and more. In anticipation of the album’s release, the home page on Solange’s website directed to blackplanet.com/solange/, where she released teaser visuals on her profile. She also created a hotline using the phone number from Houston rapper Mike Jones’ 2005 song “Back Then” to share snippets and information about the album.
The film also premiered on Solange’s Black Planet page, a sly nod to recent history and one that forecasted our current pandemic-era “virtual” cultural paradigm. Solange premiered the film in nine local venues for members of the Black Houston community including "her mother's old hair salon; Unity National Bank, the only black owned Texas banking institution; and Emancipation Gym, the only public park open to African Americans in the Jim Crow era." In a year-end essay for Slate, Ann Powers cited When I Get Home as proof that the format is not dead but rather undergoing a "metamorphosis", with artists such as Solange utilizing the concept album through the culturally-relevant autobiographical narratives.
The Internet’s Steve Lacy also contributed production, which Solange hinted at when she previously told the Times that the two had been “jamming” together. "I'm so grateful for you guys allowing me the space and time. So so so grateful. Ima be celebrating all week long the coming of home 🖤." Solange’s themes of emotional strife and gendered expectations are intimately bound up with her concept of home. Houston is a palpable presence in the film, and Solange made sure that showings were available in familiar community spots in her hometown. Co-directed by Terence Nance , When I Get Home displays his deftness at handling the Black narrative across time and unknown spaces and territories; using Solange’s roots, he weaves intersecting threads, creating a future that can be home to Black people across the diaspora.
On the day of the album’s release, Solange also announced a companion film to When I Get Home on her Twitter. When I Get Home features a wide range of collaborators including big names such as Pharrell and Tyler, the Creator, underground artists such as ABRA and Standing on the Corner and even experimental pop artist Panda Bear of Animal Collective fame. Solange produced the album alongside a variety of collaborators, including John Key, John Carroll Kirby, Standing on the Corner, Chassol, Jamire Williams, and Pharrell Williams. The album also features contributions from several high-profile musicians, including Sampha, Playboi Carti, Gucci Mane, Panda Bear, Tyler, the Creator, Metro Boomin, The-Dream, Abra, Dev Hynes, Steve Lacy, Earl Sweatshirt, and Scarface.
As part of your account, you’ll receive occasional updates and offers from New York, which you can opt out of anytime. By submitting your email, you agree to our Terms and Privacy Policy and to receive email correspondence from us. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. In addition to the album and film, On March 3, Solange’s Saint Heron imprint will be hosting “When I Get Home, A Special Album Experience,” at multiple venues across Houston. “I just want to thank you guys for allowing me the space to evolve, experiment and express new frontiers,” Solange said at the time of the program’s debut.
It’s already been two years since the release of Solange Knowles’ When I Get Home. To celebrate her fourth studio album’s debut, the Grammy award-winning visual artist has teamed up with the Criterion Channel to exclusively premiere a remastered director’s cut of its accompanying art film. As icing on the anniversary cake, a series of digital activations will go down this week on her Black Planet page and feature art installations created over the years, a digital collage of fan images and testimonial stories curated by Solo, along with special performances and screenings. She peppers rural and suburban landscapes with Afrofuturistic imagery and orchestrates a glorious, ceremonial union of Black people in monochrome outfits, herded with elaborate choreography. On Thursday, the 32-year-old singer, songwriter, multi-disciplinary artist surprised released her latest studio album When I Get Home.
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